Drafty Wednesdays: A Look at “Hero Defeats Ultimate Evil!”

The first Drafty Wednesday of 2015 is a short one, because we’ll be looking at a flash fiction piece I spent the last week working on: “Hero Defeats Ultimate Evil!”

Maoyu_coverThe story began as an idea taken from the concept behind the book series and anime Maoyu. Unfortunately I have not read the books, but I have seen the anime and can comment on it. The anime is basically a good versus evil tale, but with the twist that the Hero and the evil Demon King end up working together to break the never-ending cycle of war and create a better world for all. In it the main characters have no names, instead being referred to by their class: Hero, Demon King, Rogue, Merchant, etc. The idea, as I understand it, is to show them as the archetypes that they are.

I thought of doing something similar with a flash fiction piece, though probably not nearly as ambitious. I grew up playing RPGs on the SNES and later the Genesis, and the running theme through nearly all of them was the defeat of some kind of ultimate evil. And in most cases the evil was something that had either been sealed away in ages past and was now running rampant, or it was now running rampant and the solution was for the heroes (i.e. you and your controller) to seal the evil away “for all time” or whenever the sequel could be made.

This gave rise to the full title of today’s story: “Hero Defeats Ultimate Evil! Seals away for future generations to deal with.”

Seriously, why not just kill it and be done with it? Maybe I’m just not as pure and good as the good guys in these stories and RPGs must be, or maybe I’m just a coward. If a bad guy’s facing me down with the intent to kill me or mine, then I want him dead. That way he can’t come back and finish the job later.

Anyway, as you can tell from the title this isn’t going to be your typical POV kind of story. The title, I hope, reads like a newspaper article. That was the idea of it in the beginning, anyway. This would be the journalist’s view of what occurs in many RPGs: the defeat and sealing away of a great evil, and what it means for those involved.

The rough draft of it was, as you would imagine by seeing, fairly rough. I really had no idea how news articles like this would have been written, nor did I care. I had a spark for the idea and wanted to get it down on paper. And I did, in a half hour or so. It’s amazing how quickly an idea can be written out once it’s rattled around in my head for a long enough time. The original draft was around 704 words and broken out into 15 paragraphs. Here is the first few paragraphs of it:

Hero Defeats Ultimate Evil

Seals away for future generations to deal with.

Reporter seeks bards to put epic story to music.

After a cataclysmic battle lasting three days and two nights (“Even heroes need to sleep,” Paladin was overheard saying after sprinkling holy water on her pajamas) the Hero’s Party has done the impossible. The Ultimate Evil is vanquished, its body broken and sent to the depths of a newly formed lake at the base of Mount Doom. It is not quite dead, but it has been sealed away.

It will be many generations before the Ultimate Evil rises again,” Mage said. The gemstone on the end of her staff smoked from the amount of magical energy expended to carry out the world-saving deed. She wiped sweat from her dirty brow and pointed to the still-churning waters. “The lake will settle, but it will stir once more. Have no doubt of that.”

Reads pretty crappily, right? Well, for someone who doesn’t know the story at all, anyway. Who’s Paladin? And who is Mage? It becomes apparent that they’re members of a group called the Hero’s Party, but that’s not explained all that well in the beginning. It made sense to me, but I’m the writer. It hopefully makes sense to the guy behind the wheel.

After this I started reading up on wartime news articles, specifically the BBC’s stuff from World War II. I came up with a better idea of how a news article should be formed. Namely:

  1. Start with the punch line, the gist of the story. The title of the article already says it all, whether it’s “Hero Defeats Ultimate Evil” or “Normandy Invasion a Success.” Following that and maybe a subheadline, the first paragraph should say the most important thing that happened.
  2. The next two or three paragraphs expand on this punch line, going into a little bit more detail about what happened, what it means, or maybe what important figures or leaders have to say about it. A quote by a general, or something an eyewitness saw. Something that brings it all home.
  3. The meat of the story, or what I like to call, “Back to the beginning.” Here we go to the start of it all. The operation’s launch-point. We then work our way forward until we reach the aforementioned climax again and lay it out in more detail than the summary at the first of the article.
  4. The conclusion. Here the article pauses to reflect on the significance of the event, or to mention other things that were happening at the same moment elsewhere, or some such bit of reflective work.

Armed with this, I looked back over my work and came up with a much longer second draft. 1,274 words, and 32 paragraphs. Here’s the first bit of that:

Hero Defeats Ultimate Evil

Seals away for future generations to deal with.

After seven years of terror, the world is finally free from the clutches of the Ultimate Evil!

In a cataclysmic battle that sundered a mountain range, changed the course of two rivers, and left the magical city of Tarsis a smoldering crater, the elite members of the Hero’s Party (HP) have finally completed the impossible task placed upon them. The Ultimate Evil (UE) is vanquished, sealed away inside a newly formed lake filled with holy water.

UE struck the first blow in a horrific display of its tremendous power. A gigantic spell circle appeared in the skies over Tarsis, and moments later the earth opened up and swallowed whole sections of the city. The intent was to kill everyone in HP, but they had already left the soon-to-be destroyed city.

Better, but still not where I want to be at. We’re jumping into the meat of the story (“UE struck the first blow…”) too soon. Also, it’s a bit long for what is supposed to be a tongue-in-cheek story. I doubt I’ll keep the reader’s interest for much more than 1,000 words, so going nearly 300 over that is a bad move.

More revision followed. This time I analyzed several articles and tried to come up with ratios for the punchline summary, the meat of the article, and the conclusion. After going through several wartime articles I came up with a rough formula:

  • Punchline summary – 10-15% of the article. The fewest paragraphs I saw were three, and the most were five.
  • Meat of the story – 65-80% of the article. Obviously the bulk of it, as it is here we’re going into the most detail about things.
  • Conclusion – 10-20%. If the ramifications of the event are huge or some famous person makes a commentary about things, this will end up being longer. At other times it’s only going to be a few words or so. Still, the shortest I saw this section was around two paragraphs. The most was five, depending on how long the overall article was.

Now we’re talking. This is quite a bit of work for a simple short story, right? Sadly, this inefficiency spills over into my longer works, which explains why it’ll take me upwards of 10,000 words to write a 4,000 word story sometimes. Sad, but true!

Ok, here’s the final revision, the version I submitted to:

Hero Defeats Ultimate Evil!

Subheadline: Seals away for future generations to deal with.

After seven years of terror, the world is finally free from the clutches of the Ultimate Evil!

In a cataclysmic battle that sundered Mount Dour Doom, changed the course of two underground rivers, and left the magical city of Dilirin a smoldering crater, the elite men and women of the Hero’s Party (HP) have done the impossible:

The Ultimate Evil (UE) is vanquished, sealed away inside a newly formed lake blessed by Paladin and Priest.

Paladin struck her breastplate in salute. “The Gods are with us! Failure was never a possibility.”

Priest dropped to his knees and prayed for those who had been lost.

Earlier this week HP gathered in Dilirin to receive a magical talisman that would help in the fight against UE.

So, the title and first line of the story has not changed at all from the get-go. I only added “subheadline” so that a first reader/editor will be able to note that it’s not the real beginning of the story, but rather an extension of the title. Probably not necessary, but I’m quirky like that.

Here we have the punchline summary done in five short paragraphs, beginning with the declaration that the world is finally free from the clutches of the Ultimate Evil, a brief summary of the battle and the damage wrought, and quotes or actions from two members of the Hero’s Party (This time properly introduced). We then begin the meat of the story with “Earlier this week…” and the story proceeds from there to its ultimate full-circle conclusion.

It reads more like a wartime article than it ever has, and I feel like it’s now something I could do should I decide to write any more stories in this format. Will I? Not sure. Depends on how well this one does, as well as what else strikes my fancy. My writing tends more on the traditional sword and sorcery side, but I do like experimenting with new styles and different genres and subgenres. So, we shall see!

As for the final version of the story? I was able to trim it down to right at 1,000 words. How’s that for a rubberband effect? Went from 700 to 1,300 back down to 1,000. If I’d written another draft it might’ve ballooned again! Glad I got it fired off.

Writing in Public 2015: Day 6, Month 1

Progress is coming on all but the reading front. Had bigger plans for today, but some emergency outdoor work coupled with recovering from an illness ruined my late afternoon and evening plans. But, all in all it was still a productive day:

  • Write “Snowmelt” and come up with a real name for it. Managed to write scenes 2 through 6, and part of 7. Ten pages, or around 2,500 words. I’m more than halfway through the story, though the scenes will likely need to be re-ordered to get the pacing I really want. I still need to come up with a real name for it. The placeholder name is bugging me.
  • Edit my WOTF entry. Didn’t get a chance to look it over today. That was my afternoon plan, and it got messed up. I do not have time for it tomorrow, but I will see what I can do. It’s my hope to get this edited to the point that I’m really happy with it, then send it off to the Magazine of Fantasy and Science Fiction for a first attempt. If I get any feedback from that, I’ll make note and get it more polished for the Writers of the Future.
  • Keep working on the Wendigo Novel 1 outlining process, first with Michael A Stackpole’s “21 Days To a Novel“. Couldn’t start on Day 18, which is to come up with scenes that affect all the character arcs, or as many as possible. Got started on this, but could not complete it.
  • Keep working on the Wendigo Novel 1 outlining process, this time with the plan in Karen Wiesner’s “First Draft in 30 Days“. Day 5 and 6 in the plan involve a summary outline of the story. A good bit of the summary is finished, but I’m not quite there yet. I think Day 5 and 6 will take a couple more days, at the rate I’m going.
  • Read Writing the Blockbuster Novel by Albert Zuckerman. I’ve gotten through the introductory chapter. Could not get into this today, sadly.
  • Read Volume 30 of the Writers of the Future. Volume 28 is mostly finished, so I expect to start this tomorrow.

Remember: when writing a rough draft, expect it to suck. That way you can plow through and complete it. Writing it down the first time is the fun part. The real work begins with the rewriting and editing. But, before that can happen it has to be finished! Don’t try to make it perfect the first time, or it’ll never happen.

Here are today’s numbers:

Blog Posts: 381
Planning and outlining: 1,000
Short Fiction: 2,500
Novel Fiction: 0
Salable words: 0

Total Fiction for Month: 3,250

Total Salable for Month: 0

Total Fiction for Challenge Year: 3,250

Total Salable for Challenge Year: 0

Writing in Public 2015: Day 5, Month 1

A new week, a new set of goals! Expect to see the following goals listed throughout the day. The first line for each bullet point will be the same, but the content of each paragraph will be different as I make progress with each goal:

  • Write “Snowmelt” and come up with a real name for it. It’s a short story set in the Wendigo universe and focused on the island of Vespast (Known as Westerland by the people of Ursel Province and the freemen of the Tundra Wastes). It’ll basically be a story about a Viking-like people and their new leader, a 15 year-old shieldmaiden who’s thrust into the position with the death of her father. I had hoped to get more done today, but found out that my outline for it has either been misplaced, deleted, or was never saved to begin with. I had to fall back on brainstorming notes and what was rattling around in my head. Didn’t get as much of the draft written today as I would have liked, but I did complete the first scene, or about three pages. More awaits tomorrow!
  • Edit my WOTF entry. Didn’t get a chance to look it over today. I plan to spend time on this tomorrow afternoon. My goal is to get it finished before
  • Keep working on the Wendigo Novel 1 outlining process, first with Michael A Stackpole’s “21 Days To a Novel“. I wrapped up Day 17’s work over the weekend, and had hoped to start Day 18 today. Wasn’t as efficient as I would like, but tomorrow is another day.
  • Keep working on the Wendigo Novel 1 outlining process, this time with the plan in Karen Wiesner’s “First Draft in 30 Days“. Day 5 and 6 in the plan involve a summary outline of the story. Basically, a several page synopsis that goes through the story scene-by-scene. I’m rather verbose when I’m writing up summaries, so this will end up being quite a bit longer than the plan calls for. But, that’s all right. As long as the ideas are down, they can be trimmed and expanded as needed later.
  • Read Writing the Blockbuster Novel by Albert Zuckerman. I’ve gotten through the introductory chapter. I plan to read more tomorrow. So far, so good! But, not into it enough to really give a running commentary.
  • Read Volume 30 of the Writers of the Future. I’m still finishing up Volume 28, but I expect to start this tomorrow. I’ve read a couple of the stories from it already, so I’m ahead of the game there. In Volume 28 today I finished reading a really good story called “The Poly Islands.” It was heavy on its environmental message, but in a very entertaining way. Very enjoyable.

While today wasn’t as productive as it could have been, it marks the first amount of new writing for 2015. Tomorrow, I expect to write quite a bit on “Snowmelt” and do a good bit of editing on the WOTF entry:

Here are today’s numbers:

Blog Posts: 522
Planning and outlining: 1,700
Short Fiction: 750
Novel Fiction: 0
Salable words: 0

Total Fiction for Month: 750

Total Salable for Month: 0

Total Fiction for Challenge Year: 750

Total Salable for Challenge Year: 0

Writing in Public 2015: Day 4, Month 1

Today is Sunday, and I never really expect to get a full day’s work done on a Sunday. I plan for it, but only because I likely wouldn’t do anything if I didn’t do that. So, today I will just list what I did accomplish rather than what I planned to do:

  • Keep working on the Wendigo Novel 1 outlining process, this time with the plan in Karen Wiesner’s “First Draft in 30 Days“. Today I completed Day 3, which is coming up with a basic plot sketch for the story. This includes everything from stating the novel’s story goal, the subplots, any romance, points of tension in the plot, areas where that tension can be released, the black moment, the resolution, and any wrap-up to the resolution. Subplots is one area I’ve always struggled with when writing longer pieces, but I was able to come up with close to 10 basic ideas for this story. Some are mutually exclusive to one another, while others will be weaved together. It’ll be interesting to see what else comes up during the outlining process and then the actual drafting. It’s got me excited, and that’s one of the goals!
  • Finish editing my “Ultimate Evil” short story. The story is finished, and submitted. I was able to pare it down to right at 1,000 words. Again, I don’t consider it a hilarious piece, but hopefully its tongue-in-cheek nature will provide some amusement. This is my first short story of 2015. A very short one, but it was a short week. Next week begins a longer tale that should take the entire week to write.
  • Finish reading Rayne Hall’s “Writing Fight Scenes“. Success! All in all, a book worth picking up. Some of the information is common sense, but we all know that common sense ain’t so common. The chapter on euphonics was very interesting, as were the fight scene examples that she put at the end of the books. Makes me want to go pick up Storm Dancer now… And I just did.

Tomorrow begins the first full week of 2015. I plan to make use of every day this week, from completing a new short story to completing my WOTF entry to carrying on with the outlining and planning of the Wendigo novel. Also, I will begin reading a new pair of books: Writing the Blockbuster Novel by Albert Zuckerman and Volume 30 of the Writers of the Future. I’m looking forward to it all!

Here are today’s numbers:

Blog Posts: 435
Planning and outlining: 1,800
Short Fiction: 0
Novel Fiction: 0
Salable words: 0

Total Fiction for Month: 0

Total Salable for Month: 1,000

Total Fiction for Challenge Year: 0

Total Salable for Challenge Year: 1,000

Writing in Public 2015: Day 3, Month 1

Today I set out with the following goals:

  • Read the second 1/3 of Rayne Hall’s “Writing Fight Scenes“. Success! Areas covered today: the difference between male and female fighters (Both physical and psychological), unarmed combat styles, types of fights, and how to write group fights (Group vs. Group or 1 vs. Group). All in all, very interesting. I didn’t know that women have a greater tendency to reach for improvised weapons in a fight than men do. But, when I think of my own tendencies I gravitate toward one of three things, depending on what I’m carrying: my fists (Never leave home without ’em!), my knife, or my sidearm. Very interesting, indeed!
  • Continue reading through Volume 28 of the Writer’s of the Future. I’ve read two more really good stories from the book. I’ll likely write up a post about it either tomorrow or Monday morning, whenever I finish the book. I’ve enjoyed some stories in there more than others, but I’ve liked them all so far. One can learn a lot about pacing, characterization, dialogue, and plot from reading other people’s works, as well as what one’s own weaknesses and strengths are relative to other authors.
  • Keep working on the Wendigo Novel 1 outlining process, first with Michael A Stackpole’s “21 Days To a Novel“. Day 17: Creating Problem Arcs is finished for three of my main heroes, and I have a pretty good handle on how to add more problems for my characters to solve throughout the course of the novel. I’ve wound up with a few interesting plot twists and scenes from this day’s exercise, and have increased tension between the three. This should make the novel more interesting.
  • Keep working on the Wendigo Novel 1 outlining process, this time with the plan in Karen Wiesner’s “First Draft in 30 Days“. Today I wrapped up Day 2’s exercise, which is coming up with general and character-specific sketches for the different settings to be shown in the novel. I’ve found there are currently four towns that will be visited, but there are at least as many towns that will only be mentioned by name in this book. I want to have a basic sketch for each of them, as some of the characters have either visited these places or will encounter people who have visited them. It pays to know more of the setting than will be shown, as it helps make the place feel more real. Tomorrow will involve the creating of plot threads.
  • Keep editing my “Ultimate Evil” short story. Yesterday was all research. Today was all editing. In the articles I am hoping to emulate I found that the length of the articles tended to be no fewer than 15 paragraphs (Sometimes one-sentence paragraphs, so maybe “blocks of text” is a better description) and no greater than 30. A minimum of 3 paragraphs was dedicated to the summary of the entire article at the beginning (The ol’ punchline at the beginning trick of news articles. Get to the point, then rewind back to the start), and at least 2 paragraphs were dedicated to an aftermath conclusion, although there could be a lot more. Ultimate Evil began the day at 32 paragraphs and around 1,250 words. I managed to cut it down to 1,100 words, but now it’s 35 paragraphs. I’m going to put it aside for today, but tomorrow I plan to finish it and send it to a few people I think will appreciate it for their comments. After that, it’s off to somewhere.
  • Continue my Writers of the Future third draft edits. I wanted to spend two hours on this today, but failed. It was at the end of my already packed day, and other things came up. That’s all right, though. Progress was made on the one story, so there’s always tomorrow!

Here are today’s numbers. Again, no new fiction written, but a good bit of groundwork laying:

Blog Posts: 663
Planning and outlining: 1,200
Short Fiction: 0
Novel Fiction: 0
Salable words: 0

Total Fiction for Month: 0

Total Salable for Month: 0

Total Fiction for Challenge Year: 0

Total Salable for Challenge Year: 0

Writing in Public 2015: Day 2, Month 1

(Note: For January, there is no Day 1. Took the day off to be with family, and to read.)

Today I set out with the following goals:

  • Read the first 1/3 of Rayne Hall’s “Writing Fight Scenes“. I succeeded in this, and maybe read a bit more than I needed to. Areas covered today: the difference between entertaining and gritty fight scenes, and types of combat/weapons up to blunt weapons. There’s a good bit of knowledge in here, and many Youtube links to fight scenes to study.
  • Keep working on the Wendigo Novel 1 outlining process, first with Michael A Stackpole’s “21 Days To a Novel“. I am currently on Day 17 and miscalculated how long it would take. I allotted an hour for it, and it will take anywhere from two to three. I plan to finish this up tomorrow.
  • Keep working on the Wendigo Novel 1 outlining process, this time with the plan in Karen Wiesner’s “First Draft in 30 Days“. I’m using two different books because they each have a different focus. Stackpole’s book is focused primarily on characters and plot. Wiesner’s takes characters and plot and throws in setting, dialogue, subplotting, and a whole mess of other things that turn good novels into great novels. I recommend both books for those who have yet to get a novel written and want a place to start. I’d also recommend David Farland’s “Million Dollar Outlines” for this. Read it over last Spring and plan to re-read it sometime soon.
  • Keep editing my “Ultimate Evil” short story. It’s basically the telling of a good versus evil story in the format of a wartime newspaper article. I didn’t get to do much direct editing on the story today. I spent a couple of hours researching old BBC articles from World War II to get an idea of the kind of structure that most of those articles were written in. My goal is to finish it tomorrow and get it send off by Sunday at the latest.
  • Continue reading through Volume 28 of the Writer’s of the Future. I’ve read about 2/3 of it, so my goal is to finish the rest by the end of Sunday and start Volume 30 on Monday. I haven’t done this yet, but that’ll end up as bedtime reading.

And that’s it for the day. No actual fiction words written. Just a lot of planning that will hopefully make the writing part easy. Tomorrow I want to keep up with what’s listed here, but I also want to see if I can delve into my Writers of the Future entry (Yes, unfortunately I ended up missing the deadline with my tale. But, that just means it’ll be even more polished for next quarter).

Due to the holidays there is no Drafty Wednesday or WIPika Friday posts this week. That will pick up again next week! I’ll also be actively writing a new short story next week, so expect the work count to start jumping.

 

Blog Posts: 518
Planning and outlining: 1,880
Short Fiction: 0
Novel Fiction: 0
Salable words: 0

Total Fiction for Month: 0

Total Salable for Month: 0

Total Fiction for Challenge Year: 0

Total Salable for Challenge Year: 0

 

Writing in Public, 2014 Review (And Goals for 2015)

I started the Writing in Public challenge back in February, and it was rocky from time to time. The first few months were productive, but then the summer hit. With the summer came a health crisis that still isn’t fully resolved. Brainstorming/outlining/reading happened during the summer, but not much with regard to writing. Even in the fall my productivity was limited to a few longer tales and several flash pieces. However, I’ve started to gain some steam during December, even with the holidays. I achieved nowhere near my original finished-story goal during the month, but the true goal was to get back into the habit of longer writing sessions. That succeeded, I am happy to say. With the holidays (mostly) behind, I intend to pick up the pace and get back to writing regularly each day.

I haven’t been keeping up with my word count as well as I should have these past few months, but I have a rough idea. I’ll list my writing totals in two ways below, the official count and then with the estimated count over the last bit of 2014.

The challenge for 2015 begins tomorrow, and I will be back to posting daily updates. I have a pair of short stories to finish tomorrow (One novelette and one flash piece), and then I shall see about some deep edits on them. Expect good things from next year!

In a few minutes I’ll get to work on my writing schedule for January. As I said on my Twitter page, I always plan to do 200%. That way when I only get half done I’m still in great shape.

Speaking of which, here are the four goals I have for next year, in no particular order:

  • Four Novels
    • The most ambitious of my goals, but certainly feasible. Several authors I either read or know of are capable of writing quality fiction at that pace. If I don’t push myself to get books written, edited, and out on the market I’ll hem and haw and never get anything finished.
  • The Three-52s – Three Goals in One
    • Write 52 Short Stories
      • One a week, no matter the length. If I’m particularly inspired, I’ll try to squeeze a second story in a week. But, I’d rather have the whole week dedicated to one short story and work on a novel in-between brainstorming, outlining, drafting, and editing stages.
    • Read 52 Genre Books
      • This can include re-reading favorites and finishing series I’ve been following, but it will hopefully feature new books by new authors. One week, one book.
    • Read 52 Writing Books
      • At the moment I have somewhere in the area of 30 writing books I need to go through. I’ve read about 10 of them, but a re-read won’t hurt. Again, one week, one book.

David Farland really hit home the point that writers need to write, but they also need to learn. In one of this “Daily Kick in the Pants” newsletters he wrote of a woman who had written several novels over a long number of years, but had yet to sell any of them. She didn’t take criticism well, and only wanted to write the way she wanted to write. She never committed to improving her craft or to learning new things. As he put it, she was spinning her wheels.

Writing novels and short stories are the two dominant goals on my list. If all else fails, I must do those two things. But, without reading both within the genre and absorbing new techniques from craft books, my learning will not be complete. I want to be the best writer I can possibly be, and that means continuing professional education.

I’ll keep the site updated on my progress for each of these goals. Expect weekly and monthly updates on those, and possibly a new article series on the site to follow. At the very least it’ll be on the right-hand side of the site.

 

Official Word Count (Not including November and December)

Total Fiction for Challenge Year: 259,809

Total Salable for Challenge Year: 55,512

 

Unofficial Word Count (Including November/December Estimates)

Total Fiction for Challenge Year: 284,443

Total Salable for Challenge Year: 56,864

WIPika Fridays: WOTF Entry, Second Draft

Another week down, but not as much to show for it as I would like. Christmas seems to be a multi-day affair in my wife’s family, and even though it happens every year I never fully prepare for it.

Despite that, most of the second draft of my Writers of the Future entry is finished. Spent last weekend and the early part of the week going back through the rough draft, transcribing it onto the computer, and taking down notes. I usually write the second draft on the computer, but I’m trying to do it by hand again to see what happens. This I’ll then transcribe, and begin work on the third draft.

I’m no longer confident that I will have this draft in a place where I’m comfortable to submit it to something as prestigious as the Writers of the Future, though. We’ll see what happens between now and New Year’s Eve, but I’m thinking it’s going to have to wait until the next quarter. If that’s the case, I plan to still get it finished within the next week or so. I don’t want to keep going back and forth on the story, because it will slow me down going into 2015. And I’ve got some big plans for 2015. More on that next week.

For now, back to writing! Still have a couple of scenes to finish.

WIPika Fridays: “Refocusing” and WOTF Entry

This week was fairly light with regards to actually finishing stories. “Refocusing” is a flash fiction piece that’s stuck with me for awhile. And, if you read this week’s “Drafty Wednesdays” post you’ll have read the opening paragraphs of the story. It’s currently floating out in the submissions aether, looking for bites from first readers and editors. Will it succeed? Maybe, maybe not. The point is it’s out there. In the worst case, it will wind up on here sometime during 2015 as a lead-in to the Soulweaver Universe. An older version of the main character of “Refocusing” is going to be a supporting character in at least the first book, but I expect there will be more stories focusing on her as a child in the future.

I’ve also made good progress on my Writers of the Future entry for the first quarter of 2015. The rough draft is done! I wish I could post up even a tiny excerpt of it or what it’s about, but they are pretty strict about maintaining anonymity for entries. I won’t be able to post anything about it until after the quarter ends.

Suffice it to say, next week will be busy, especially with Christmas coming up. Not sure how much will get done, but we’ll see.

Drafty Wednesdays: A Look at “Refocusing”

This particular flash fiction piece has been rattling around in my head and on various forms of paper and electronic media for weeks now. I finally finished it up this week and got it sent off to the first potential market (Wait, make that second. Clarkesworld works fast). So, while it’s still fresh in my mind, let’s take a look at it from conception to finished product.

“Refocusing” is in some ways a world building exercise, but its focus (No pun intended) is on developing a particular character in the Soulweaver Universe: Rina, an apprentice fire magi trying to deal with a tragic past. Well, aren’t we all?

Anyway, this story brings part of that tragic past into light: the morning her fire magic manifested itself. She was burned horribly by her previous master as punishment for something she didn’t even do, and in that instant her fire magic – her “spark” – activated. She’s been in the care of the royal family of Zele ever since, under the tutelage of the Royal Magus himself.

Enough background. Let’s get into the story. We’re now a few years from that incident. Rina has spent the last few years training as an apprentice, learning to control her fire magic while still being afraid of fire in general. It’s something Royal Magus Elis has worked with her on, Now those efforts are hopefully going to bear fruit. Due to a shortage of staff for reasons not disclosed in the story, Rina is the only fire magi available to be sent to the glassworks to assist them with a furnace that has burned out. She will have to master her fear if she is to get the furnace activated again.

Now, on to the rough draft:

The glassworks reeked of cooked meat.

Rina stood at the open double-doors separating the building’s cavernous depths from the bustling streets of the Crafter’s Quarter. Heat from a dozen open furnaces blasted her, and she broke out in a sweat. Even on the threshold the stench permeated everything. She covered her nose with a dark hand.

Beneath her crimson robes her legs burned with phantom pain, a result of the last time she had smelled such an awful odor. Tears stung at her eyes. She wanted to run back to the palace, to beg Magus Elis to send someone else.

The first draft is very front-heavy with revelations. Since this is the draft that only I get to read (Well, except for brief bits) I attribute this to some subconscious desire to beat myself over the head with things so I don’t forget about them. We’ll need to try and spread the emotional baggage throughout the story rather than just dump it all in one spot. Of course, since this is a flash fiction piece we can’t linger too long.

Rina meets Gaffer Fintan, the glassworks master, immediately after this. I wanted him and his problem to be front and center, since she is here to solve a problem. In the original draft the problem wasn’t mentioned until well into the second page. I wanted it on page one. Now, with the revisions that follow you won’t see mention of that problem in the opening few paragraphs, but trust me: it’s on the first page.

“I told Elis I needed someone slight, but I didn’t expect him to send me a child!” Piercing eyes reflected the glow of a dozen furnaces. “How old are you, girl?”

“Th-thirteen, master.” Rina bowed. The edges of her crimson robe brushed against the tile floor. Waves of heat rolled out from the furnaces and warmed her cheeks. She shivered, and a searing pain lanced through her legs just below the knees.

The man snorted, and ran a hand through short, graying hair. “I’m a gaffer, not some pompous lordling. Name’s Fintan. Yours?”

“Rina, mast- Gaffer.” She rubbed at her legs and willed the phantom pain to go away.

Now we’re moving a bit more into the realm of subtlety. Gone is the description of the glassworks smelling like cooked meat. I think this was a good opening sentence, but it draws attention away from other things, such as Rina’s more immediate fear of fire and her first meeting with Fintan, the glassworks master. The smell of cooked meat will return later in the story, as they approach the furnace that needs to be worked on.

Still, I think something is missing from it. We know she’s uncomfortable around fire. After all, the heat rolling off the ovens is causing her to shiver. I’ve spent many a month out in the southern summer, and shivering in that kind of heat is a bad sign.

Bad sign, shaking like that in this heat.

Bad sign, shaking like that in this heat.

But, while we’re seeing her physical reactions we’re not yet fully inside her head. I don’t want to beat the reader over the head with all this, so just a bit more subtlety is in order for this part of the story. See bold:

“I said I needed someone slight, but I didn’t expect Elis to send a child!” Piercing eyes reflected the glow of a dozen furnaces. “How old are you, girl?”

“Th-thirteen, master.” Rina bowed, the fringe of her crimson robe brushing against tile. Waves of heat rolled out from the furnaces and warmed her cheeks. She shivered, and searing agony lanced through her legs just below the knees. Calm down, Rina.

The man ran a hand through graying hair. “I’m a gaffer, not some pompous lordling. Name’s Fintan, glassworks master. Yours?”

“Rina, mast- Gaffer.” She willed the phantom pain in her legs to go away. That was years ago. Stop it!

Now we have some thought bubbles floating over her head in the comic book version of this story. This is important, as during the climax of the story Rina has a lot of frantic thoughts bouncing around her thirteen year-old skull. The addition of such italicized thoughts was a little jarring when I looked over the story with my crude editor’s lens. I read a lot of 80’s/90’s fantasy where character thoughts abound, but I’ve noticed that is not always the case with genre fiction. Some stories have no “thought bubbles” while others are prolific. The one thing I do notice is consistency within each novel. If a novel is going to have italics, they’re peppered throughout the work. If not, then you won’t see any. Or, you may see a couple, but it’ll be very rare.

Since understanding Rina’s state of mind is critical in the story’s climax, we need the thought bubbles there. And since they’re needed there, they’re needed elsewhere.

Is this submitted version better than the rough draft? Well, I hope so. It took me a lot longer to get it finished than I had planned, but that happens when you start analyzing stuff. It’s no longer just telling a fun story. It’s about telling a fun story in a structured way.

Speaking of which, it’s time to get back to a rough draft I was working on.